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Artists
Anne Drew Potter
Arthur Gonzalez
Avery Palmer
Beth Lo
Bill Abright
Boyd Gavin
Carmen Lang
Chris Riccardo
Chris Theiss
David Gilhooly
Deb Fleck-Stabley
Deborah G. Rogers
Esther Shimazu
George Tchobanoglous
Heidi Bekebrede
Irina Zaytceva
Janis Mars Wunderlinch
Jason Walker
Jeff Myers
Kati Thomson
Keith Schneider
Kensuke Yamada
Kevin Snipes
Lisa Clague
Margaret Keelan
Mark Abildgaard
Michelle Gregor
Rene Martucci
Patti Warashina
Richard Notkin
Shalene Valenzuela
Steven Thomas Higgins
Seongmin Yoo
Tip Toland
Wayne Thiebaud
Wesley Anderegg
YeonSoo Kim
Yingling Lin
Judy Moonelis
Under $100
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Anne Drew Potter
Arthur Gonzalez
Avery Palmer
Beth Lo
Bill Abright
Boyd Gavin
Carmen Lang
Chris Riccardo
Chris Theiss
David Gilhooly
Deb Fleck-Stabley
Deborah G. Rogers
Esther Shimazu
George Tchobanoglous
Heidi Bekebrede
Irina Zaytceva
Janis Mars Wunderlinch
Jason Walker
Jeff Myers
Kati Thomson
Keith Schneider
Kensuke Yamada
Kevin Snipes
Lisa Clague
Margaret Keelan
Mark Abildgaard
Michelle Gregor
Rene Martucci
Patti Warashina
Richard Notkin
Shalene Valenzuela
Steven Thomas Higgins
Seongmin Yoo
Tip Toland
Wayne Thiebaud
Wesley Anderegg
YeonSoo Kim
Yingling Lin
Judy Moonelis
Under $100
Bookstore
Folder: Workshop Series
Back
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Folder: Our Story
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About the Center
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Gallery Site
Sculpture (Mixed Media) Sculptural Perspectives for the Nineties (Softcover)
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Sculptural Perspectives for the Nineties (Softcover)

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“The viewer of this exhibition can see how, through time, our perspective of what is and is not art changes. All the artists in this show are pioneers in their own right. When they first exposed their artwork to their retrospective communities, there was great criticism and, in fact, great controversy. The viewer was challenged to make a decision: “Is this art, and if it is art, is it good art?” I think if the viewer questions him or herself, then the artist has succeeded in creating controversy, and this, in my mind, has created good, and, many times, great art. Sculpture has always been challenging for the museum, the collector, the viewer, and most of all, for the artist.”

- John Natsoulas

Authors: John Natsoulas, Rachel W. Wettergreen

55 pages

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“The viewer of this exhibition can see how, through time, our perspective of what is and is not art changes. All the artists in this show are pioneers in their own right. When they first exposed their artwork to their retrospective communities, there was great criticism and, in fact, great controversy. The viewer was challenged to make a decision: “Is this art, and if it is art, is it good art?” I think if the viewer questions him or herself, then the artist has succeeded in creating controversy, and this, in my mind, has created good, and, many times, great art. Sculpture has always been challenging for the museum, the collector, the viewer, and most of all, for the artist.”

- John Natsoulas

Authors: John Natsoulas, Rachel W. Wettergreen

55 pages

“The viewer of this exhibition can see how, through time, our perspective of what is and is not art changes. All the artists in this show are pioneers in their own right. When they first exposed their artwork to their retrospective communities, there was great criticism and, in fact, great controversy. The viewer was challenged to make a decision: “Is this art, and if it is art, is it good art?” I think if the viewer questions him or herself, then the artist has succeeded in creating controversy, and this, in my mind, has created good, and, many times, great art. Sculpture has always been challenging for the museum, the collector, the viewer, and most of all, for the artist.”

- John Natsoulas

Authors: John Natsoulas, Rachel W. Wettergreen

55 pages

John Natsoulas Gallery

521 First St. Davis, CA 95616

[email protected] - (530) 756-3938

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